I’ve only been doing this writing gig eight years and it has amazed me the number of changes that have happened in the publishing world in that short time. It’s not so much that it’s surprising as the delivery of books is pushed by the advances in technology. It’s just that … wow! It’s hard to know which way to go.
When I first started writing in the summer of 2005 I had NO clue about writing a book. As a voracious reader I only knew what I enjoyed in a story and I sat down at the keyboard attempting to emulate my favorite writers. My first attempt wasn’t bad–not publishable–but not bad.
Back then most books were published at bigger publishers who accepted most submissions through agents. New writers needed to give their career credibility and prove they weren’t just doing this writing gig as a “hobby”, but were interested in making writing a profession. Enter Romance Writers of America. This national organization is dedicated to advancing the professional interests of career-focused romance writers through networking and advocacy. Being a member and more specifically a PRO member (proof that you’ve finished a manuscript, submitted it and it’s been rejected) was supposed to prove to publishers and agents that you wanted your writing to be more than just a one book diversion, but that you were actually interested in building a business.
From the national level of RWA I found the Maine Chapter of RWA. THIS is what I needed. A group of writers who had been through the process, knew the ropes and became my guiding light in a business I knew nothing about. I branched out to several online chapters of RWA all of them grounding me in the chaotic seas of the publishing world.
But as technology has changed and publishing has changed–so have my needs. For the last couple of years I’ve held on to my RWA national membership not only to give credibility to my career, but also so I could be a member of my local chapters. But this year with my latest move, I’ve come to realize the relationships I’ve forged with the writers in Maine would continue even if I wasn’t a member of the chapter. I haven’t been able to make the monthly meetings anyway and all of my interaction was online.
With the changing tide of publishing now flowing into the author’s control I realized I didn’t need RWA to anchor me anymore. At the end of last year … I finally cut ties.
Being the rule-follower that I am, I still feel a little strange about it. Due to physical limitation, (and let’s face it–finanacial costs) I’ve never attended the RWA National convention. I don’t know if this has put me behind the eight ball in my publishing career, but I suspect (for me) I’m not missing out on anything. Writing conventions have never sparked my muse, quite the opposite in fact (but that’s a blog for another day). Still, I wonder if I ever choose to look for an agent if they’ll see it as a red flag that I don’t belong to a “professional” organization.
I know as a reader I have no idea if an author belongs to a professional organization … doesn’t make any difference to me. I want their books, not their bio. I know other authors are struggling with this same decision. So what do you think? Do professional writing organizations say anything about an author? I’d love to know what you think. Because you know me … I’m curious about stuff like this.