I am a member of Romance Writers of America. Mostly I keep up my membership because I can then be a member of smaller chapters like Fantasy, Futuristic and Paranormal, Maine Romance Writers and the New England Chapter, all of them full of wonderful authors who offer advice and support my career.
When I started writing six years ago I was alone in the world with no clue how to navigate the waters of the publishing world. I found RWA and then my local Maine chapter. Thanks to them and several RWA sponsored writing contests I was able to learn my craft, hone my writing skills and publish. Of course back then RWA didn’t consider me published because I had chosen to work with Liquid Silver Books, a digital publisher (whom I would highly recommend). With no advance coming to me for my books they considered me little more than a hobbiest. Yeah whatever.
As the electronic industry grew and e-readers became part of the book buyer’s landscape, RWA could no longer ignore the fact that many authors were choosing to contract their books to digital publishers. For many writers, the high percentage of royalties was now outweighing the desire to sell books to publisher with low advances that rarely “earned out”.
RWA now recognizes authors as “officially published” who earn $1000 or more with a single book title either as an advance OR in royalties. Okay, well, no kidding authors of e-books who have received awesome reviews and have a readership have known this for a long time.
But if there’s one truth about publishing … nothing remains the same for long.
Now, authors are finding financial success publishing books directly to Amazon and Barnes & Noble. And RWA has no idea what to do with these authors who earn sometimes more than the traditionally published mid-list author in NY. Because … get this … that author is only a hobbiest. They aren’t looking at their writing career as a profession.
Wai … wha?
It’s true. And there are some authors who are jumping on that bandwagon. Now don’t ask me why, in this time of Amanda Hocking, JA Konrath and Barry Eisler, who are making amazing money publishing their own books, why RWA would NOT consider this a viable publishing option for an author’s career. To me it’s a sound business decision to make sure I’ve tapped into all aspects of the publishing market.
I consider myself a “professional” writer. I intend to contribute substantially to the family budget, not just offer a movie and dinner night to Mr. Nina once a month when my royalty check arrives. But it is the rare author who makes a living wage right out of the starting gate. It takes time to market onesself and find a readership base. When will I consider myself a success? Hmmm, I’m not sure. I suspect every time I reach one goal I’ll be stretching toward another. What I do know is that I can’t decide for someone else how to define their writing.
There are some who really are just happy writing their stories and getting them out into the world, even if they don’t make much money. And others who are happy squeezing their writing time between a fulltime job, kids and the hubster, thrilled to have extra money every month or so to feed their book-buying addiction. Are they not professionals? That’s not for me to decide. And I know that’s not much of an answer.
The truth is, RWA is trying to juggle many writers with a lot of needs. It just seems to me that the organization is once again fighting the US (those who are published with recognized electronic publishers and traditionally published authors making a living wage) vs THEM (everyone still finding their way including those “self-pubbed” to Amazon) battle. I don’t know where the organization is going or what will be decided about authors who make their living publishing direct. I just hope the powers that be are looking at this from all angles, not just the one down their nose.
So, as an author does any of this affect you? And as a reader, does it matter to you where your favorite books come from (recognized pubs or Amazon/B&N directs)?