When I first started writing I believed I’d send my manuscript in and some editor-type person would have a look at it, tell me they liked it, but …
And I thought that “but” would be how to improve, make it stronger and yes, could they please send me an advance check and they’d be happy to work with me to get my manuscript ship shape and on the local bookstore, Target and Wal-mart book shelves.
Ha! Make that a hearty, roll on the floor, bust a gut, hahahahahahahahaha!
What I’ve learned in the years since I submitted my first manuscript is that publishing companies don’t have the resources to take a newbie writer and help them polish. Agents don’t want to represent someone who is still learning the craft. I’m not criticizing … I’m just stating fact.
I do think there was a time when publishing houses molded and refined a manuscript. But that was loooong before the first “Once Upon a Time” ever got typed on my computer. I used to quake in my shoes when I read the words “polish to one inch of your manuscript’s life” on the submission guidelines for an agent or a publishing house. I don’t anymore, because I get it.
After I write my manuscript, I have a couple friends read it. Does it flow? Is it free of typos? Did I answer all the questions for the suspense plot? Did I do a reasonable job of making you care about the hero and heroine? I’ve got some awesome friends who are amazing when it comes to that stuff and I wouldn’t have the confidence to continue to submit my work if it weren’t for the efforts they put in for me.
Then, and only then, after I’ve gone through it line by line and they’ve gone through it line by line do I submit. That’s what the publisher/agent wants to see. They aren’t interested in seeing the first draft of my work. Heck, half the time, I’m not interested in the first draft of my work. 😀
But once the manuscript is accepted … that’s only the beginning. One of my novellas … which will remain nameless 😉 had to have a couple scenes rewritten before it even went into editing. No problem. I happily made the changes because the suggestions were awesome observations by the acquisitions editor.
Not all publishers edit the same and you should be aware of this before going through the process. There are some who simply do line edits … look for typos, misplaced or missing commas or the wrong “there”, “they’re” or “their” word. That kind of stuff. The editing department isn’t looking for plots that don’t come together or storylines that aren’t complete. They assume the author has done that already. Just be aware your potential publisher may fall into this category and make sure your novel(la) has been read by more than one person and all the ends are tied up (or not if it’s a series) satisfactorily.
Fortunately for me, the publishers I’ve worked with have full service editing department. That means the editors I’ve worked with (and I’ve had some amazing editors in my writing journey), point out poor wording choices or plot inconsistencies. (They’ve all given up trying to teach me about comma placement … I’m a hopeless cause when it comes to that. As a couple of them have said, I sprinkle commas like a pepper shaker.) Fortunately I’ve only had one who’s actually tried to change wording which actually changed my voice, but understood when I stuck to my guns. You have to remember, an editor’s job is to push me to write the best story I can.
Now that I’m looking to self-publish my first original book, I need to find a freelance editor. I won’t have a trusted person at a publisher looking through my book. I’m gonna tell you, it’s just a little intimidating, but I feel more comfortable knowing I’ve been through this process and I know what I’m looking for in an editor. It certainly will make it easier searching for someone who fits with my style.
Editing doesn’t hurt … it’s an awesome learning process for me. And I’m grateful to the publishers I’ve worked with who are so thorough with their editing. So don’t be intimidated when a publisher/agent asks you to edit your manuscript before you submit. They aren’t looking for you to be a NYT best seller right of the starting block … they just want to know that you care enough to send them your very best work.